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Cherry
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Review
“Karr captures, exactly, what it’s like for a girl to kiss the first boy she loves….She captures, exactly, what it’s like to start high school….She captures, exactly, what it’s like to be a book-hungry teenager, enraptured by the words and heady ideas that offer transport from the banalities of small-town life….As she did in The Liars’ Club, Ms. Karr combines a poet’s lyricism and a Texan’s down-home vernacular with her natural storytelling gift.” —Michiko Kakutani, The New York Times“A compelling ride through [Karr’s] adolescence….What distinguishes Karr is the ability to serve up her experiences in a way that packs the wallop of immediacy with the salty tang of adult reflection…her descriptions of the bruised-lip, druggy wonder of teenage love are precise, unsentimental, and lovely.” —Chicago Tribune“The Liars’ Club left no doubt that Mary Karr could flat out write…the one question everyone had upon finishing her story was, could she do it again? Cherry lays that question to rest once and for all….It never lacks for those trademark Karr details, but it’s about all of us. —Newsweek“A smart, searing memoir….Romance, in all of its wondrous and heartbreaking incarnations, is Karr’s great subterranean subject, the ground upon which her wily, whip-smart writing catches root.” —Lisa Shea, ElleStunning…If The Liars’ Club succeeded partly because of its riveting particularity, Cherry succeeds because of its universality. The first book is about one harrowing childhood, the second about every adolescence. She can turn even the most mundane events into gorgeous prose.” —The New York Times Book Review“Cherry is the kind of book a brave parent could do a lot worse than to give to a teenager….Teenage girls might come away from it knowing that they’re not freaks, that mistakes aren’t fatal, and that good writing kisses just about everything better. And for teenage boys, reading Cherry would be like stealing the other team’s playbook….Mary Karr gives memoir back its good name.” —San Francisco Chronicle“Here, intact, is the smart, sassy, wickedly observant voice first met in The Liars’ Club, a voice that knows how to tell a story in a crackling vernacular that feels exactly true to its setting.” —The Washington Post“Cherry delivers. Karr still has her delicious knack for making you guffaw through horrible events…its humor, warmth, and crackling language should keep Karr’s fans hungering for another round.” —People Magazine“Karr writes about adolescence with the same emotional precision that illuminated her account of childhood…[she] nails with wonderful specificity the complex way adolescents bond intellectually and emotionally. Her descriptions of her early sexual experiences are also original. Her language is frank without becoming clinical, and she captures the swooning tenderness of a kiss without sounding sentimental…firmly rooted though it is in a particular time and place, Cherry, like all serious autobiographies, is about something much more universal: the construction of a satisfying identity or, more precisely, the discovery of a fundamental self that was there all along.” —The Philadelphia Inquirer“It’s the powerful spiked punch of Karr’s writing that amazes…Cherry is about the dizzy funk of female teen sexuality, and Karr captures the innocence and dirt of it, the hunger and the thrill, with exquisite pitch. Karr’s connection to her younger sexual self is profound with mercy or nostalgia….Karr identifies the vulnerable, frightening gap between most girls’ night thoughts and those in the day….Right now, in this remembrance of blooming, Karr continues to set the literary standard for making the personal universal.” —Entertainment Weekly“This book is best when it portrays things common to all of us in adolescence. The woeful sense of isolation. The fierce desire to have friends. The agitated, wondrous discovery of things sexual. Those awkward kisses in the dark. And the risks.” —USA Today“This book is about being a female adolescent, a horrible fate; the best that can be said of it is that one does recover. The extraordinary thing about Karr, in addition to the poetry of her writing, is her stunning honesty.” —Molly Ivins, Ft. Worth Star-Telegram“Awesomely written…Cherry is beautifully wrought and tart in its angst-wrangling….Karr can render sentences so powerful as to make you bow your head in reverence.” —The Village Voice“Cherry is beautifully written, without a single word wasted. Karr’s poetic yet tensile language creates exceptional landscapes, both physical and emotional…her broad but precise descriptions, coupled with piercing insights into the sometimes agonizing trials of growing up, create fully realized characters with whom the reader can immediately empathize….Hardly a soul alive hasn’t felt exiled in the dark territory of adolescence; Karr maps this landscape expertly and candidly.” —The San Diego Union“Step aside, J. D. Salinger, and take your alter ego Holden Caulfield with you. Mary Karr has staked out your turf, the upended land of adolescence. And she is just smart, angry, sensitive and self-mocking enough to defend it with everything she’s got…this time Karr has created another fiercely poetic and alternately bruising, comic, and picaresque account of her wild and painful journey through early adolescence. And if ever the tortuous metamorphosis from caterpillar to damaged butterfly has been captured in print, this is it…the tales of her first serious crush, first kiss and first date [are] each gorgeously delineated in all their tragicomic dimensions, and unique in the way they capture the overwhelming combination of attraction and repulsion involved in early sexual experiences. But everything Karr touches is emblazoned with this raw honesty and a sense of the breathtaking confusion and emotional terrorism of adolescenc
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About the Author
Mary Karr's poems and essays have won Pushcart prizes and have appeared in magazines such as the New Yorker, The Atlantic, and Parnassus. She was a Bunting Fellow at Radcliffe College, and is now the Jesse Truesdale Peck Professor of English Literature at Syracuse.
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Product details
Paperback: 276 pages
Publisher: Penguin Books (September 1, 2001)
Language: English
ISBN-10: 9780141002071
ISBN-13: 978-0141002071
ASIN: 0141002077
Product Dimensions:
5 x 0.5 x 7.7 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
142 customer reviews
Amazon Best Sellers Rank:
#203,883 in Books (See Top 100 in Books)
I have read The Liars Club as well and have enjoyed them both a great deal. Liars Club is more about her family, Cherry more about her, including a charming description about how she arranged to lose hers. Her cherry, that is. I liked her and, as far as one could, her family. I felt sad that for a time she fell into drugs and booze. I can't bring myself to read Lit though it's very likely worthwhile for people made of tougher stuff than I.
I'm only on the first chapter, and lovin' it!First lines of the book:"No road offers more mystery than that first one you mount from the town you were born to, the first time you mount it of your own volition, on a trip funded by your own coffee tin of wrinkled up dollars-bills you've saved and scrounged for, worked the all-night switchboard for, missed the Rolling Stones for, sold fragrant pot with smashed flowers going brown inside twist-tie plastic baggies for. In fact, to disembark from your origins, you've done everything you can think to scrounge money save selling your spanking young pussy."OK, she's in-your-face. But that's what I like. Judgmental readers, just go away. Love this, and go for the ride with her!Liar's Club by Mary Karr is also a must-read.
What does Mary Karr have left to prove? She already wrote the definitive memoir of a child's life in an East Texas hellhole, "The Liars' Club," which as a first-person narrative remains better than anything I've ever come across. Why risk another trip to the well? Can you exceed expectations when so many of them, like mine, are off the charts?I'm in a funny position writing this, because I expected to come here and write about my disappointment with "Cherry," why it wasn't up to par with "Liars' Club." But reading all the one- and two-star reviews, some of which raise valid points, others of which are just all wet, I feel a little more protective about what I just read.No, it's not as involving as "Liars' Club." Karr isn't the passive youngster anymore, and she takes on a wider swath of her life, from just before sixth grade all the way up through high school, meaning there isn't the concentration of time that worked with "Liars' Club." Our narrator is changing this time, and quickly.More problematic, there is Karr's use of the second-person singular for the bulk of the book, describing her actions as if you are her. It doesn't work, feeling arch and odd instead of inclusive. Karr's budding sensibilities as a poet also come into play, with the help of a friend suspiciously named Meredith Bright, and you either will identify with their precocious conversations on absurdist theater or, like me, feel distanced by it. But it's her life, and she should tell it as it is.The best part of the book is its first third, with its account of elementary and junior high school life. Karr's sharp eye for detail and her fluidity with language, so stunning in "Liars' Club," doesn't fail her here. She recalls the posture of a picked-on classmate "till her whole body became a sort of living question mark, the punctuation with which she responded to every mean sentence we could construct." Then there's her fear when approached by a boy she likes: "Part of me is also crazily rewinding to play back my whole walk across the field, for surely I did some stupid thing. I wouldn't pick my nose or anything...but I could have been skipping or singing some goofy song under my breath."Later, she will find herself recruited to give this same boy a long leg massage, in a riotously funny passage in which she gets hot and bothered learning the critical distinction between gastrocs and hamstrings.While people here note the presence of drugs, in all fairness they don't show up for more than a hundred pages, and she doesn't exactly turn into Ozzy Osbourne. She smokes some joints, and tries a few other things, but seems a bit removed from the drug culture even as she writes about it. Actually, I was glad to have the drugs come into play, as it beat reading about her reading Howard Nemerov. She has sex, too, but is shier about describing that than I would have expected from "Liars' Club."Karr is a virtuoso at description, and tying up the loose ends of a disorderly life. She makes for exciting, vivid company. If you liked reading Stephen King's "The Body," or Russell Baker's "Growing Up," you will like "Cherry." Even if you didn't like "The Body" or "Growing Up," you will like "Cherry."But you will like "Liars' Club" so much more.
Okay book. I wanted to read it because I grew up in the neighboring town that the author is writing about and was curious. I also had previously read her book, Liars Club, which was better than Cherry, in my opinion.
This woman is amazing! I've never been disappointed in a book that written by someone who's primarily a poet. Somehow they seem to be able to dig even deeper and describe even more richly the person, place, and or thing they're describing. Here it's her coming of age as a young teenage girl. The quest for acceptance, the awakening of sexual desire, and the discovery of the world of recreational pharmaceutics.You don't have to have read "The Liar's Club" to understand or appreciate this book. It stands on it's own merits, a richly detailed world of adolecent minutiae.The book moves quite nicely until almost the end, where my interest lagged slightly which is the only reason I didn't give it five stars. Yet for technical aspects, and her ability to evoke feeling and emotion it should probably get a whopping ten.
Mary Carr has a poetic take on her misspent youth as a high potential girl in a low SES town, who falls prey to sex, drugs, and surfing culture. Very amusing and tres trippy read.
I don't know what I was expecting, but for me this is a meandering journey through a fairly unremarkable adolescence. It has been tough to continue to the end, but I am persevering in case something happens that will have justified my time.
Not as interesting as The Liar's Club, but still sharp. She goes for more universal themes in this coming of age story (first love, discovering sex, growing apart form her daddy). I wish she had spent less time describing her endless boyhood crushes (made my eyes roll a bit) and delved more into the years of drug use, where it seems all the fun stuff happened. Her mother, father, and sister all hang in the background like cardboard cutouts; not quite the compelling figures we came to know in her first book. Her mother in particular seems... off. Much more domesticated than the wild woman we came to know in the first book. She practically comes off like a Home Ec. teacher this time around, which makes me wonder if either portrayal of her wasn't tweaked just a little for dramatic purposes.
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